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SAT Section One : Critical Reading Sample Questions:

1. But the Dust-Bin was going down then, and your father took but little, excepting from a liquid point of view.
Your mother's object in those visits was of a house-keeping character, and you was set on to whistle your
father out. Sometimes he came out, but generally not. Come or not come, however, all that part of his
existence which was unconnected with open Waitering was kept a close secret, and was acknowledged
by your mother to be a close secret, and you and your mother flitted about the court, close secrets both of
you, and would scarcely have confessed under torture that you know your father, or that your father had
any name than Dick (which wasn't his name, though he was never known by any other), or that he had
kith or kin or chick or child.
Perhaps the attraction of this mystery, combined with your father's having a damp compartment, to
himself, behind a leaky cistern, at the Dust Bin, a sort of a cellar compartment, with a sink in it, and a smell,
and a plate-rack, and a bottle-rack, and three windows that didn't match each other or anything else, and
no daylight, caused your young mind to feel convinced that you must grow up to be a Waiter too; but you
did feel convinced of it, and so did all your brothers, down to your sister. Every one of you felt convinced
that you was born to the Waitering.
At this stage of your career, what was your feelings one day when your father came home to your mother
in open broad daylight, of itself an act of Madness on the part of a Waiter, and took to his bed (leastwise,
your mother and family's bed), with the statement that his eyes were devilled kidneys. Physicians being in
vain, your father expired, after repeating at intervals for a day and a night, when gleams of reason and old
business fitfully illuminated his being, "Two and two is five. And three is sixpence." Interred in the
parochial department of the neighbouring churchyard, and accompanied to the grave by as many Waiters
of long standing as could spare the morning time from their soiled glasses (namely, one), your bereaved
form was attired in a white neckankecher [sic], and you was took on from motives of benevolence at The
George and Gridiron, theatrical and supper. Here, supporting nature on what you found in the
plates(which was as it happened, and but too often thoughtlessly, immersed in mustard), and on what you
found in the glasses (which rarely went beyond driblets and lemon), by night you dropped asleep standing,
till you was cuffed awake, and by day was set to polishing every individual article in the coffee-room. Your
couch being sawdust; your counterpane being ashes of cigars. Here, frequently hiding a heavy heart
under the smart tie of your white neck ankecher (or correctly speaking lower down and more to the left),
you picked up the rudiments of knowledge from an extra, by the name of Bishops, and by calling
plate-washer, and gradually elevating your mind with chalk on the back of the corner-box partition, until
such time as you used the inkstand when it was out of hand, attained to manhood, and to be the Waiter
that you find yourself.
I could wish here to offer a few respectful words on behalf of the calling so long the calling of myself and
family, and the public interest in which is but too often very limited. We are not generally understood. No,
we are not. Allowance enough is not made for us. For, say that we ever show a little drooping listlessness
of spirits, or what might be termed indifference or apathy. Put it to yourself what would your own state of
mind be, if you was one of an enormous family every member of which except you was always greedy,
and in a hurry. Put it to yourself that you was regularly replete with animal food at the slack hours of one in
the day and again at nine p.m., and that the repleter [sic] you was, the more voracious all your
fellow-creatures came in. Put it to yourself that it was your business, when your digestion was well on, to
take a personal interest and sympathy in a hundred gentlemen fresh and fresh (say, for the sake of
argument, only a hundred), whose imaginations was given up to grease and fat and gravy and melted
butter, and abandoned to questioning you about cuts of this, and dishes of that, each of 'em going on as if
him and you and the bill of fare was alone in the world.
Why does the language "Two and two is five. And three is sixpence" 3rd paragraph illuminate rather than
confuse the character of the father on his deathbed?

A) It was the amount being communicated that should be paid for his burial.
B) It is reasonable that a father would be concerned about his family's finances following his death.
C) It is normal for a dying person to speak of money or fortune upon their deathbed.
D) It was his practice the whole of his daily vocation.
E) It indicates that he wanted his wife and son to be sure to get the money from the compartment.

2. Sir Giles's irritating reserve, not even excused by a word of apology, reached the limits of his endurance.
He respectfully protested. "I regret to find, sir," he said, "that I have lost my place in my employer's
estimation. The man to whom you confide the superintendence of your clerks and the transaction of your
business has, I venture to think, some claim (under the present circumstances) to be trusted." The banker
was now offended on his side.
"I readily admit your claim," he answered, "when you are sitting at your desk in my office. But, even in
these days of strikes, co-operations, and bank holidays, an employer has one privilege left--he has not
ceased to be a Man, and he has not forfeited a man's right to keep his own secrets. I fail to see anything in
my conduct which has given you just reason to complain." Dennis, rebuked, made his bow in silence, and
withdrew.
Did these acts of humility mean that he submitted? They meant exactly the contrary. He had made up his
mind that Sir Giles Mountjoy's motives should, sooner or later, cease to be mysteries to Sir Giles
Mountjoy's clerk.
In context, the word "rebuked" is best represented by

A) cautiously opposed.
B) sharply reprimanded.
C) courteously disagreed.
D) genuinely dissuaded.
E) promptly challenged.

3. This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growth driven, increasingly corporate society.
From the sentence beginning "He entered medical school", it can be inferred that

A) Abe entered medical school because he was sick.
B) sick people were sent to Manchuria during World War II.
C) Abe wanted to help the ill and injured in World War II, rather than fight.
D) Abe never intended to practice medicine
E) illness would excuse one from military duty in World War II Japan.

4. The ______ manner in which the teacher candidate addressed the school board was a key factor in his
rejection; the school board members agreed that enthusiasm is an essential quality in a teacher.

A) combative
B) perfunctory
C) solicitous
D) superficial
E) pretentious

5. He was a un-common small man, he really was. Certainly not so small as he was made out to be, but
where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and
what he had inside that Ed, nobody ever knowed but himself: even suppose in himself to have ever took
stock of it, which it would have been a stiff job for even him to do.
The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby
though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial,
he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He DID allow himself
to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and
when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his
actions.
He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a
large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the
Curiosities they are.
One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been
there. It was always his opinion that he was entitled to property. He never would put his name to anything.
He had been taught to write, by the young man without arms, who got his living with his toes (quite a
writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd
have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind,
because HE had no property, nor hope of property, except his house and a sarser. When I say his house,
I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a
diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public
believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he
made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies
and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain."
When he said anything important, in private life, he mostly wound it up with this form of words, and they
was generally the last thing he said to me at night afore he went to bed.
He had what I consider a fine mind--a poetic mind. His ideas respectin his property never come upon him
so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run
through him a little time, he would screech out, "Toby, I feel my property coming--grind away! I'm counting
my guineas by thousands, Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in
me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind.
Not that he was partial to any other music but a barrel-organ; on the contrary, hated it.
He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many
phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it
kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of
my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a
Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am."
Which selection best interprets "Chops would have starved to death, afore he'd have gained a bit of bread
by putting his hand to a paper" 4th paragraph

A) He would starve before he would accept charity from anyone.
B) He would starve before borrowing money to buy bread.
C) He would starve before signing a performance contract as a phenomenon.
D) He would starve before he would agree to anything.
E) He would starve before wrapping paper around food showing distrust in the preparation of same.

Solutions: