Admission Test GRE-Verbal - PDF電子當

GRE-Verbal pdf
  • 考試編碼:GRE-Verbal
  • 考試名稱:Section One : Verbal
  • 更新時間:2024-09-03
  • 問題數量:320 題
  • PDF價格: $49.98
  • 電子當(PDF)試用

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GRE-Verbal Online Test Engine

在線測試引擎支持 Windows / Mac / Android / iOS 等, 因爲它是基於Web瀏覽器的軟件。

  • 考試編碼:GRE-Verbal
  • 考試名稱:Section One : Verbal
  • 更新時間:2024-09-03
  • 問題數量:320 題
  • PDF電子當 + 軟件版 + 在線測試引擎(免費送)
  • 套餐價格: $99.96  $69.98
  • 節省 50%

Admission Test GRE-Verbal - 軟件版

GRE-Verbal Testing Engine
  • 考試編碼:GRE-Verbal
  • 考試名稱:Section One : Verbal
  • 更新時間:2024-09-03
  • 問題數量:320 題
  • 軟件版價格: $49.98
  • 軟件版

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Free Download GRE-Verbal pdf braindumps

最新的 Admission Test Certification GRE-Verbal 免費考試真題:

1. The _______ and _______ lifestyle of certain types of primates differs greatly from the habits of most
primate species, who are active during the day and who form societies based on quite complex
interrelationships.

A) diurnal . . gregarious
B) sedentary . . omnivorous
C) nomadic . . lonely
D) nocturnal . . solitary
E) inactive . . monogamous


2. Victorian poetess Christina Rossetti's potent sensual imagery compelled Edmond Gosse, perhaps the
most influential literary critic in late Victorian England, to observe that she "does not shrink from strong
delineation of the pleasures of life even when denouncing them." In the face of Rossetti's virtual
canonization by critics at the end of the nineteenth century, however, Virginia Woolf ignores her apparent
conservatism, instead seeing in her curiosity value and a model of artistic purity and integrity for women
writers. In 1930, the centenary of Rossetti's birth,Woolf identified her as "one of Shakespeare's more
recent sisters" whose life had been reclusively Victorian but whose achievement as an artist was enduring.
Woolf remembers Rossetti for her four volumes of explosively original poems loaded with vivid images
and dense emotional energy. "A Birthday," for instance, is no typical Victorian poem and is certainly unlike
predictable works of the era's best known women poets. Rossetti's most famous poem, "Goblin Market,"
bridges the space between simplistic fairy tale and complex adult allegory-at once Christian,
psychological, and profeminist. Like many of Rossetti's works, it is extraordinarily original and unorthodox
in form. Its subject matter is radical and therefore risky for a Victorian poetess because it implies
castigation of an economic (and even marital) marketplace dominated by men, whose motives are, at best,
suspect. Its Christian allusions are obvious but grounded in opulent images whose lushness borders on
the erotic. From Rossetti's work emerge not only emotional force, artistic polish, frequently ironic
playfulness, and intellectual vigor but also an intriguing, enigmatic quality. "Winter: My Secret," for
example, combines these traits along with a very high (and un-Victorian) level of poetic selfconsciousness.
"How does one reconcile the aesthetic sensuality of Rossetti's poetry with her repressed, ascetic
lifestyle?" Woolf wondered. That Rossetti did indeed withhold a "secret" both from those intimate with her
and from posterity is Lona Packer's thesis in her 1963 biography of Rossetti. Packer's claim that
Rossetti's was a secret of the heart has since been disproved through the discovery of hundreds of letters
by Rossetti, which reinforce the conventional image of her as pious, scrupulously abstinent, and
semi-reclusive. Yet the passions expressed in her love poems do expose the "secret" at the heart of both
Rossetti's life and art: a willingness to forego worldly pleasures in favor of an aestheticized Christian
version of transcendent fulfillment in heaven. Her sonnet "The World," therefore, becomes pivotal in
understanding Rossetti's literary project as a whole-her rhymes for children, fairy tale narratives, love
poems, and devotional commentaries. The world, for Rossetti, is a fallen place. Her work is pervasively
designed to force upon readers this inescapable Christian truth. The beauty of her poetry must be seen
therefore as an artistic strategy, a means toward a moral end.
It can be inferred from the passage that Rossetti's "The World"

A) reflects Rossetti's shift away from her earlier feminist viewpoint
B) was Rossetti's longest work
C) combines several genres of poetry in a single work
D) was Rossetti's last major work
E) is the most helpful expression of Rossetti's motives


3. ENFRANCHISE : SLAVERY

A) liberate : confine
B) appeasement : unreasonable
C) anatomy : physiology
D) bondage : subjugation
E) equation : mathematics


4. Personality is rooted as deeply in the need for _______, or at least personal interaction, as _______
well-being is rooted in chemical needs.

A) affection . . social
B) companionship . . natural
C) self-respect . . bodily
D) hope . . biological
E) love . . physical


5. Conflict had existed between Spain and England since the 1570s. England wanted a share of the wealth
that Spain had been taking from the lands it had claimed in the Americas.
Elizabeth I, Queen of England, encouraged her staunch admiral of the navy, Sir Francis Drake, to raid
Spanish ships and towns. Though these raids were on a small scale, Drake achieved dramatic success,
adding gold and silver to England's treasury and diminishing Spain's omnipotence. Religious differences
also caused conflict between the two countries. Whereas Spain was Roman Catholic, most of England
had become Protestant.
King Philip II of Spain wanted to claim the throne and make England a Catholic country again. To satisfy
his ambition and also to retaliate against England's theft of his gold and silver, King Philip began to build
his fleet of warships, the Armada, in January 1586.
Philip intended his fleet to be indestructible. In addition to building new warships, he marshaled one
hundred and thirty sailing vessels of all types and recruited more than nineteen thousand robust soldiers
and eight thousand sailors. Although some of his ships lacked guns and others lacked ammunition, Philip
was convinced that his Armada could withstand any battle with England. The martial Armada set sail from
Lisbon, Portugal, on May 9,1588, but bad weather forced it back to port. The voyage resumed on July 22
after the weather became more stable. The Spanish fleet met the smaller, faster, and more maneuverable
English ships in battle off the coast of Plymouth, England, first on July 31 and again on August 2. The two
battles left Spain vulnerable, having lost several ships and with its ammunition depleted. On August 7,
while the Armada lay at anchor on the
French side of the Strait of Dover, England sent eight burning ships into the midst of the
Spanish fleet to set it on fire. Blocked on one side, the Spanish ships could only drift away, their crews in
panic and disorder. Before the Armada could regroup, the English attacked again on August 8. Although
the Spaniards made a valiant effort to fight back, the fleet suffered extensive damage. During the eight
hours of battle, the Armada drifted perilously close to the rocky coastline. At the moment when it seemed
that the Spanish ships would be driven onto the English shore, the wind shifted, and the Armada drifted
out into the North Sea. The Spaniards recognized the superiority of the English fleet and returned home,
defeated
The ____ Armada set sail on May 9, 1588.

A) answer not available
B) independent
C) complete
D) isolated
E) warlike


問題與答案:

問題 #1
答案: D
問題 #2
答案: E
問題 #3
答案: A
問題 #4
答案: E
問題 #5
答案: E

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